{"id":123,"date":"2013-10-18T19:22:06","date_gmt":"2013-10-19T00:22:06","guid":{"rendered":"http:\/\/www.jaredmcdaris.com\/?page_id=123"},"modified":"2018-04-25T13:12:56","modified_gmt":"2018-04-25T18:12:56","slug":"maratsade-2","status":"publish","type":"page","link":"http:\/\/www.jaredmcdaris.com\/?page_id=123","title":{"rendered":"Marat\/Sade"},"content":{"rendered":"

Company<\/span>: The Right Brain Project<\/a>
\nRole<\/span>: Kokol (Singer)
\nDirector<\/span>: Nathan Robbel<\/p>\n

“Robbel has established a clear vision, which the large cast wholly commits to. Wherever your eye wanders watching this play, there is some untold back story unfolding — clearly the actors have established personal monologues for their relationships with the other inmates.” – Robert Bullen<\/h5>\n
“The large ensemble constitutes brilliant bits three through 30.” – Tony Adler<\/h5>\n
“This committed cast magnificently sings, gropes and acts like loonies playing actors playing revolutionaries.” – Katy Walsh<\/h5>\n
“Robbel has rightly cast solid vocalists and strong instrumentalists and they shine… And the ensemble itself is a huge, moving, breathing, moaning unit.” – AWG:Chicago<\/a><\/h5>\n
“The cast\u2019s renditions of the play\u2019s numerous Brecht-like songs are lovely.” – Kris Vire<\/h5>\n

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