Two New Plays!

I’m looking to put together two casual readings over the next two or three weeks.

Possible dates are:

Sunday, June 28 (Afternoon)
Sunday, July 5 (Afternoon)
Saturday, July 11 (Afternoon/Evening)

The play read when will depend on who is available:

THE IMPORTANCE OF BEING ERNEST FRANKENSTEIN, by Liz Shipe
(M) Oscar Wilde / John Worthing
(F) Babette Finster / Cecily Cardew
(F) Georgette Finster / Justine the Maid
(M) Albert Canterbury / Ernest Frankenstein
(F) Bessie Yorke / Elizabeth Lavenza
(M) Leopold Yorke / the Monster
(F) Ms. Babington / Peasants
(M) Actor One / Victor Frankenstein
(M) Actor Two / William Frankenstein

THE WAYWARD WOMEN, by Jared McDaris
(M) Cordelius, a young nobleman from Switzerland
(M) Julian, his servant since infancy
(M) Flatchel, a pirate (also plays the Swiss Messenger)
(F) Penti Celia, the Duchess of Amosa
(F) Dame Grendela, the Green Knight
(F) Dame Anu, the Black Knight
(F) Dotara, the Duchess’ Magistress
(F) Aquiline, her daughter, squire to Dame Grendela
(F) Pinne, squire to Dame Anu (also plays the Amazon Messenger)

Theater Stuff

The Cast of A Thousand Times Goodnight

Behold! The cast of A Thousand Times Goodnight.

ATTG opens July 30th and runs until August 15th.

Miona Lee (Scheherazade)

Miona Lee (Scheherazade)

Stephen Rowland (Sultan)

Stephen Rowland (Sultan)

Chris Aruffo (Vizier)

Chris Aruffo (Vizier)

Elise Zell (Dinyzade)

Elise Zell (Dinyzade)

Nathan Ducker (Shah Zaman)

Nathan Ducker (Shah Zaman)

Sarah Tilford (Alma)

Sarah Tilford (Alma)

AJ Miller (The Clown)

AJ Miller (The Clown)

A Thousand Times Goodnight, Theater Stuff

A Thousand Times Goodnight is debuting in Chicago

A Thousand Times Goodnight is coming to my hometown. Check out audition infoz below:

A THOUSAND TIMES GOODNIGHT

An Elizabethan-style Comedy

AUDITIONS: May 16, Saturday, 12:00pm to 4:00pm

CALLBACKS: May 23, Saturday, 4:00pm to 7:00pm

May 24, Sunday, 12:00pm to 3:00pm

PAY: $50

REHEARSALS: June 19 to July 29 (4 Nights or fewer per week)

PRODUCTION DATES: July 30, 31, August 1, 7, 8, 9, 15, 16, 17

A Thousand Times Goodnight is a verse comedy inspired by 1001 Arabian Nights. It follows the story of Scheherazade as she attempts to tame the furious and foolish Sultan of Persia, who responds to infidelity by vowing to wed a different woman each night and execute her the following morning. Scheherazade must navigate the Sultan’s temper, manipulative courtiers, and her own father in order to save her nation and herself. Written in five acts and borrowing heavy inspiration fromTaming of the Shrew, Love’s Labours Lost, and Midsummer Night’s Dream, A Thousand Times Goodnight endeavors to promote reason over impulse, and talk over violence.

MATERIAL TO PREPARE: Audition slots are 2 minutes long. Please prepare one verse monolog. A second monolog of any kind is welcome (though not required), so long as the total audition time remains under 2 minutes.

CAST (each actor plays at least two roles)

Scheherazade (F): A maiden of Persia (one of few left) whose strident demeanor gives her a shrewish reputation. She volunteers to wed the Sultan in order to spare other maidens the same unfortunate fate. She is an intelligent, articulate, strong-willed young woman who is capable of both gentility toward those who are rational, and passionate argument against those who are irrational.

SIMILAR TO: Beatrice (Much Ado About Nothing), Margaret (Henry VI), Mistress Ford (Merry Wives of Windsor)

Sultan Shahryar (M): The ruler of Persia. After being betrayed by his first wife, the Sultan vows to take a new bride to bed each night, then execute her the following morning. Although a frightening figure on rare occasion, he is at heart a friendly, disarming, and almost childlike man who’s strayed down a very dark path.

SIMILAR TO: Bottom (Midsummer Night’s Dream), Master Ford (Merry Wives of Windsor), Caesar (Julius Caesar)

Vizier Jafar (M) (Please Note The Vizier has already been cast): The Sultan’s adviser and Scheherazade’s father. He is capable of framing lyrical and cogent arguments in support of wise policies, but lacks the emotional conviction to repair the Sultan’s broken heart, nor can he convince the monarch to abandon his vendetta against womankind. Jafar is first and foremost a gifted logician and public speaker. He also plays Ad Avis the evil sorcerer.

SIMILAR TO: Bishop of Canterbury (Henry V), Polonius (Hamlet), Prospero (The Tempest)

Dinyzade (F): Scheherazade’s younger sister. She is excitable and easily distracted, and her monologs leap from theory to personal anecdotes with little warning. Although not the equal of her sister, she is sharper than she portrays herself to be. A young clown role. She also plays Aladdin.

SIMILAR TO: Launce (Two Gentlemen of Verona), Lancelet (Merchant of Venice), Mote (Love’s Labor’s Lost)

Clown (M): A ‘clever clown’ role. He throws out puns but also makes subversive critiques of the Sultan, and even speaks a revolutionary ranting soliloquy. Quick-thought and immense energy are critical. This role is especially open to cross-gender casting.

SIMILAR TO: Feste (Twelth Night), Speed (Two Gentlemen of Verona), Thersites (Troilus & Cressida)

Governess Alma (F): Manager of Persia’s orphans, Alma is overwhelmed of late by women de-maiden-ing themselves in order to evade the Sultan’s bed. She and Shah Zaman scheme to take over the realm. She also plays Aladdin’s genie.

SIMILAR TO: Adriana (Comedy of Errors), Lady MacBeth (MacBeth)

Shah Zaman (M): The Sultan’s Brother and ruler of a nearby region. His people have expelled him, and now he worries the same may happen to Shahryar. He and Alma scheme to take over the realm. He also plays the King of Thieves.

SIMILAR TO: Master Ford (Merry Wives of Windsor), MacBeth (MacBeth)

A Thousand Times Goodnight is a coproduction between The Unrehearsed Shakespeare Company (www.unrehearsedchicago.com) and director Jared McDaris (www.jaredmcdaris.com).

CONTACT INFO: To reserve and audition time, please email a Headshot and Resume, along with your preferred audition time and any audition conflicts, tounrehearsedchicago@gmail.com.

REPLY TO EMAIL: unrehearsedchicago@gmail.com
WEBSITE
: www.unrehearsedchicago.com

Theater Stuff

Unrehearsed Season Shakeup!

Hear ye, hear ye! Unrehearsed Shakespeare is making changes to its 2015 Season.

cropped-William_Hogarth_-_David_Garrick_as_Richard_III_-_Google_Art_Project

Richard III, Shakespeare’s wickedest king, has moved to July. Get ready for some Summer fun with the hunchback of Gloucester and his fiendish flights of fancy.

Glen Wall as Richard III in 2008's Bard In The Barn festival.

Glen Wall as Richard III in 2008’s Bard In The Barn festival.

In the Fall, we close our season with The Tempest, the tale of Magical poetry and colonial alcoholism. Unrehearsed Shakespeare debuted in Chicago with The Tempest; now at long last the mystic getaway returns.

DC Wright as Stephano in the Chicago premier of The Tempest, Unrehearsed

DC Wright as Stephano in the Chicago premier of The Tempest, Unrehearsed

Fans of As You Like It, do not despair. Rosalind, Jaques, and Touchstone will be back come 2016!

Jared McDaris as Jaques in 2012's As You Like It.

Jared McDaris as Jaques in 2012’s As You Like It.

Stay tuned for more news as time goes on!

Theater Stuff, Unrehearsed Shakespeare

Illusion Photos

Check out the newly updated Photos section for shots of The Illusion, just closed, with the Right Brain Project.

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Me as Matamore, with Joe Ramski as Clindor (Photo by Tom McGrath)

Theater Stuff

Reviews for The Illusion

The Illusion has been received very positively: so much so that even Matamore couldn’t escape some praise.

“McDaris is this deliciously melodramatic doofus.” – Katy Walsh, The Fourth Walsh

“Jared McDaris makes a swashbuckling Matamore, with all the wink-and-nudge humor of Inigo Montoya.” – Colin Douglas, Chicago Theatre Review

“Jared McDaris’ pompous pirate/plot device [scores] the biggest laughs.” – Kerry Reid, The Chicago Tribune

So that’s… pretty cooooooooll….

Check out the Reviews section for previous shows!

Theater Stuff

THE ILLUSION Opens Tonight

TheIllusion_Banner

Tonight! The Right Brain Project opens their tenth season with one of my favorite plays, The Illusion. I’ll be performing as Matamore, one of my favorite roles. That’s what I call a win-win.

4001 N Ravenswood Ave, 4th Flr
8:00pm
$20 to the public, $15 to industry professionals (with HS or business card)

ILLUSION_Poster

Theater Stuff

Under The Word: A Cat in Chicago, Chapter 1

Chapter 1
Wherein our Hero is Quite Conveniently, Though not Very Poetically, Orphaned

Noel could almost feel the vomit burning holes in the back of his teeth. His grass-stained hands and wrists ached as they, along with his equally grass-stained knees, supported his diminutive frame. He closed his mouth, sloshed some saliva about, and spat what he hoped was the remainder of his stomach acids into the puddle directly before his downcast face. The oval lump of brown offal reminded him distinctly of a mirror. Having never seen his own face, it was an understandable mistake.

He couldn’t smell the vomit, though. He only smelled smoke.

After a few more seconds to calm his breathing, Noel looked up from his weakened stance to spy the burning building. The House was all he knew to call it, home of the sorcerer Hyperio and his apprentice-slash-footling, Noel. Noel was sixteen if the sorcerer was to be believed (and there was no special reason to believe him), and had been apprenticed his entire waking life. Yet in all that time, he had never learned a spell, incantation, nor even the proper application of a magic word. Presumably, such mysteries were to come after he had mastered the deep umbra of the washing machine and properly ironing the sorcerer’s underpants.

Such mysteries would never unravel now, it seemed. The sorcerer had died in the sanctum of his laboratory, apparently overnight. It was not unusual for Hyperio to work overnight and well into the next day, nor was it odd for him to sleep as late on other days, so Noel thought little of his absence. He fed the sorcerer’s porridge to the cat Diana, knowing that the sorcerer would find out if he ate it himself, then went about his chores. It was not until late afternoon that Noel began to suspect that something was amiss.

He had announced breakfast through the basement’s trapdoor, and was met with silence. Lunch was answered the same way. After placing the goose in the oven for dinner, Noel risked announcing through the trapdoor that the bird would be ready in an hour.

Again. Silence.

He had neither seen nor heard the sorcerer in over sixteen hours. This was practically unheard of. Trembling, he knelt down and finagled his index finger through the metal loop by which the sorcerer opened the trapdoor into his laboratory. Noel had never touched this loop before. As he knelt, paralyzed by indecision, he glanced over at Diana. If ever he so much as contemplated doing something wrong, Diana was sure to be there, watching, judging, and quite possibly preparing a report for the sorcerer. Diana was allowed in the lab. Noel was not. Hyperio frequently spoke to Diana and seemed to understand her responses, but Noel was unsure if this was genuine communication or merely play-acting. The sorcerer certainly always seemed to know if he had misbehaved, but was this due to his mystical omniscience, or a symbiotic relationship with a feline familiar?

“Master,” he called, his voice breaking for the first time in longer than he could remember. “Master, I have not seen you all day. I’m worried.”

Again. Silence.

And so, Diana staring all the while, Noel tensed his bicep and lifted the trapdoor. Below was completely dark. The candles had long burned out, it seemed. Noel called again and again, and received no answer. Perhaps the sorcerer was mediating and required darkness. Perhaps he had teleported to another plane without telling him, expecting the boy to continue his work regardless. Perhaps he had merely fallen asleep after a late night and did not desire to be disturbed. Whatever the cause, Noel was too frightened to bring a fresh candle down with him. Instead, he crept down the cold stone stairs into a room he had never visited before.

“Master,” he whispered furtively, his arms extended and his eyes wider than the abyss into which he looked. Still nothing. He was taking the stairs at about one step every thirty seconds, terrified that at any moment Hyperio might appear and bellow that this was a test, and he had failed. Noel still remembered the sorcerer’s one-hundred-and-forty-seventh birthday two years past, when he had surprised his master with a breakfast tray. He had entered Hyperio’s bedroom unbidden, only twenty minutes after sunrise, to find the sorcerer already awake and sitting up in bed. The old man whirled furiously, eyes agape and aglow with otherworldly anger. Brokenly, he explained that he had been polishing his wand by the light of the risen sun, and that stupid Noel had foolishly interrupted the ritual. He was beaten black-and-blue for that one, and the sorcerer threatened (not for the first time) to turn Noel into a cat, like Diana. Diana was supposedly the sorcerer’s concubine until she displeased him by growing old, at which point he had transformed her into her present form. Considering how well she was treated, however, and that he himself was covered in sores and newborn bruises at the time, Noel saw little danger in that particular threat. He rarely did.

He certainly felt threatened now, though, as he descended the fifth step. A mild purr from behind told him Diana was still watching. Was that purr a warning? Perhaps it was not too late to turn back. Noel took another step.

“Master?” he hissed again. “It’s almost dinner time, o sorcerer. You have not eaten all day.” He heard something: a creak? Or a murmur? Or a moan? He froze, his right foot in midair above the next step, pumping his very existence into his eardrums, listening. It sounded again; some faint creaking from somewhere in the basement. “Master?” he redundantly whispered again, planting his foot on the next step.

Unfortunately, as he had been listening, Diana had been prowling, slinking halfway down the stairs before deciding to take a rest on the sixth step. Noel was in the process of setting his right foot on the cat rather than the step, when she screeched, turned, and bit into his cloth-sack shoes, scratching as she did so. Betraying the confidence of the entitled, She did not move from her place on the step as she attacked. Noel, wishing to avoid both damaging the sorcerer’s cat and his poorly-clad toes, instinctively drew his foot up and away even as his weight continued to shift forward. This concluded in a brief and painful tumble that left Noel unconscious on the basement floor for several hours.

When he at last awoke with all the concomitant head-throbs and eye-spins associated with this condition, Noel was immediately distracted by a trio of overpowering odors: two familiar, one new. The new scent was a sickeningly insistent sweetness, a putrid miasma that reminded him of a pheasant that had been left uncooked and uncured in the back of the pantry for too long. It was the scent of death, and his unfamiliarity with it was a rare blessing in his life, now ended. A more familiar scent wafting from the same direction, though never before experienced in this magnitude, was of defecation. Evidently, someone or something had died and gone to the bathroom in the basement while he had been sleeping.

The third scent was the smoke, and it was coming from above.

A faint light was now flickering in the basement, and as Noel slumped to his knees he saw the shadows of multifarious arcane objects dancing about in the peculiar light. At the room’s center, he saw what was almost certainly a robed figure, dangling and spinning very slightly in the infinitesimal glow. The figure was suspended there by a rope, creaking. Hyperio was dead.

A loud snap drew Noel’s focus up the stairs, where a overpowering orange glow threw the smoke-scent into wildly obvious relief. The sorcerer was dead, the House was burning down, and it looked very likely that Noel was soon to express his mild admiration for the Pharaohs of old by following his master into the afterlife.

He could not remember what impetus had finally convinced him to crawl up those stairs and creep out of the burning building, but here he now was, having traveled into broad daylight during his unconsciousness, almost prone upon the beautiful green grass that he had never felt before and seen only from a distance, littering it with his corrosive fluids.

Mrowl,” came from nearby. Noel sat back on his knees and spied Diana sitting at the far border of his puddle of sick. The cat examined the filth, then eyed the boy and cocked her head to the side as if in silent condemnation. Noel was feeling more than a little vulnerable at the time, and was not up for handling the judgment of a housecat. Shortly after, she coughed a hairball into the mess, and Noel thought that perhaps he was assuming more than he aught regarding feline social mores.

He looked up. The sky was a piercing blue, almost electric. The light, glistening green grass was a far cry more impressive than that moldy old curio he was never able to satisfactorily sponge. A hundred yards away to his right, a vast pool of water sat quietly, patient and infinite and deadly. Without yet knowing why, Noel shuddered and leaned away ever so slightly.

Then he looked to his left.

Not a mile away, vast and enormous to the naked eye, stood a giant metropolis. Rectangular buildings, massive and virtually identical, cropped up at various altitudes, each one of them so cyclopean as to crush the old House with a stray thought. As if to echo this point, the third floor of the House cracked and collapsed in on itself.

Noel stood, the creak of his knees reminding him instantly of the creak of the rope. He looked at the burning House. He looked at the lake. He looked at the city.

He looked at the cat.

Diana stared at him, the snide contempt apparently vanished in the flames, replaced with a vacant and superficial curiosity. She turned away and stalked off toward the city.

Noel had never been one for making his own decisions.

Stories, Under the Word

Twelfth Night on Twelfth Night

Twelfth Night photos by IndieGrant have arrived! Hopefully there’ll be a few more in future, but for now: here’s my first production photos of 2015!

Sir Andrew... raises the roof.

Sir Andrew… raises the roof.

Theater Stuff, Unrehearsed Shakespeare

The Illusion Poster

Hey look! It’s the poster for the RBP‘s upcoming production of The Illusion!

Liz Goodson as Alcandre in Kushner's "The Illusion." Poster by Joseph Ramski

Liz Goodson as Alcandre in Kushner’s “The Illusion.” Poster by Joseph Ramski

Check it out this March and April!

Theater Stuff